American Aquarium

First Fleet Concerts Presents:

American Aquarium

Cory Branan

Wed, May 30, 2018

Doors: 7:00 pm / Show: 8:00 pm


Des Moines, IA


This event is 21 and over

American Aquarium
American Aquarium
In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard.
Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville
hometown, but he had to run off and start American Aquarium, a band now beloved by
BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories,
and lives that define rural America––and him.
“I moved to the big city to go to college and fell in love with music,” BJ says. “But half the songs
on our record are about small towns––little pieces of my childhood. I’ve had moments where it
turns out a piece of broken English my father repeated twice a week is the most accurate way
to say something. So I put it in a song.”
American Aquarium’s seventh studio album Things Change offers the band’s finest collection of
folk-infused Southern rock-and-roll to date. Stacked with BJ’s signature storytelling––always
deeply personal but also instantly relatable––the record questions and curses current events,
shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope.
“In my early 20s, I was not as hopeful,” BJ says. “Now, as I’m getting ready to become a father,
I think I have to be hopeful––especially with the situation our country is in now. For her sake, I
have to be positive.” He pauses. “Her” is his daughter, due in the spring of 2018. BJ adds, “Being
self-aware has always been a blessing and a curse. But that’s what’s always made my
songwriting relatable to people. I don’t hold back. I’m almost too honest.”
BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently
sold-out shows across the country and throughout Europe - between 200 and 250 dates a year.
Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every
American Aquarium member save BJ quit the group. American Aquarium has featured about 30
players since BJ founded the outfit in 2006, and while each member has left indelible marks, the
band has always been anchored by the literary songs and sometimes roaring, sometimes
whispering, drawl of BJ Barham. BJ’s personal life also underwent seismic shifts: He got sober.
He got married. Soon, he’ll be a dad.
Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee,
bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated
frontman in BJ, Things Change is American Aquarium’s first release on a label after selling
thousands of records on their own. “As an artist, your goal is for the newest thing you do to be
better than the last. You’re slowly whittling away the bullshit to try and get to the truth,” BJ says.
“With this album, I learned how to cut some of that fat so that it’s just truth. It’s our best record.”

Recorded at 3CG Records in Tulsa, Oklahoma, Things Change was produced by Grammy-
nominated singer-songwriter John Fulbright and features cameos from Americana standouts

including John Moreland and Jamie Lin Wilson. Brazen album opener “The World is on Fire” is
a richly layered rock-and-roll anthem that documents BJ and his wife’s stunned reaction to the
last presidential election. Emotional and conversational, the song taps into widespread feelings
of confusion and fear: “She said, ‘What are we going to do? What’s this world coming to?’ / For
the first time in my whole life, I stood there speechless.” But what begins as despair builds into
defiant faith, as BJ growls a call to action to cap off one of his favorite songs he’s ever written.
“I’m complaining about the state of things, and then the third verse almost serves as a challenge
to myself: hey, you’re in charge of another human being. You can create change,” he says.
Driving rock-and-roller “Crooked + Straight” explores the small-town consequences of
questioning religion, and the tightness of family in the face of one member’s rejection. His father’s
advice anchors the song. “I come from a blue-collar family. I’m the only one who didn’t go into
farming. I learned if you want something, you have to go out and take it. You can’t expect
anything from anybody,” BJ says. “You can only go out there and work harder. My dad always
said you can outwork anybody else.” Love for hard work and the people who carry it out appears
repeatedly throughout Things Change. Guitar-heavy “Tough Folks” is a snarling ode to those
with dirt under their fingernails, while bass- and pedal-steel-infused “Work Conquers All” spins
a tale in praise and pursuit of Oklahoma’s state motto.
The album’s love songs are the kind of achingly beautiful that only comes with maturity and a
willingness to expose one’s own flaws. Haunting “Shadows of You” recalls a lover’s flight as the
protagonist longs for what he let get away. Gorgeous “Till the Final Curtain Falls” celebrates
loyalty and pledges endless devotion. The moving title track takes an often doleful topic––
people’s tendency to change––and turns it on its head, tracing BJ’s personal growth and
recognizing his now-wife’s steadfast love.
BJ’s other two favorite tracks are album standouts. Moving “When We Were Younger Men”
addresses the break-up of American Aquarium head on. As BJ professes love for his former
bandmates over stripped down acoustic guitar, his voice is honeyed and deep. “It’s an open
letter to five guys who I spent eight years of my life with seeing the entire world,” BJ says. “I think
anyone who has ever had to walk away from a friendship or has had somebody walk away from
them will relate to the song.” Stunner “One Day at a Time” is self-perceptive and vulnerable,
detailing BJ’s battles with himself. Even within his career full of well-written gems, the song is a
towering accomplishment.
“At the end of the day, if you’re not writing songs to affect other people’s lives, you’re in it for the
wrong reasons,” BJ says, reflecting on the new album, where he’s been, and where American
Aquarium is headed. “Money may come and go. You may never get fame. But if you sit down
and write songs to affect people, you can do it your whole life and be happy.”
Cory Branan
Cory Branan
ADIOS is Cory Branan’s death record. Not the cheeriest of openings, but like all of Branan’s mercurial work, it’s probably not what you think. As funny and defiant as it is touching and sad, this self-dubbed “loser’s survival kit” doesn’t spare its subjects or the listener.

Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”

Not all the death on ADIOS is literal mortality. “Imogene” is sung from the wreckage of a love that once “poked fun at the pain, stoked the sun in the rain” but ends with the urgent call to “act on the embers, ash won’t remember the way back to fire.”

The trademark lyrical agility is mirrored sonically. Never a genre loyalist, ADIOS finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes startling shades of fuzz and twang. While unafraid to play it arrow-straight when called for (“The Vow,” “Equinox,” “Don’t Go”), ADIOS veers wildly from the Buddy Holly-esque rave up “I Only Know” (sung with punk notables Laura Jane Grace and Dave Hause), through the swampy “Walls, MS” to the Costello-like new wave of “Visiting Hours.”

The blistering punk of “Another Nightmare in America” bops along daring listeners to “Look away, look away, move along, nothing to see here” (the song is written from the point of view of a racist killer cop). And as the mourning singer on “Cold Blue Moonlight” shifts from paralysis to panic, the song’s jazzy drone shifts to an almost Sabbath fury. The tonal shifts are always deliberate and not just simple genre hopping; while the turns can be jarring you can trust Branan to take you somewhere unexpected.

The 14-song album was self-produced and recorded in the spring of 2016 at Tweed Studios in Oxford, MS with a tight three piece: Branan on lead vocals and guitar (both electric and acoustic); Robbie Crowell (formerly of Deer Tick) on drums and percussion, keys, and horns; and James “Haggs” Haggerty on bass. Additionally, Amanda Shires contributes on fiddle and vocals, and Laura Jane Grace of Against Me! and Dave Hause provide guest vocals.

Cory Branan has four previous full-length releases: The Hell You Say (2002, Madjack Records), 12 Songs (2006, Madjack), Mutt (2012, Bloodshot Records), and The No-Hit Wonder (2014, Bloodshot). His music has received critical praise from the likes of Rolling Stone and Rolling Stone Country, NPR All Things Considered, Noisey, Wall Street Journal, Paste Magazine, Oxford American, Consequence of Sound, Southern Living, and many others.
Venue Information:
504 E. Locust St,
Des Moines, IA, 50309