Shakey Graves: The Tour X9 World Tour

First Fleet Concerts Presents:

Shakey Graves: The Tour X9 World Tour

Twin Peaks

Sat, September 1, 2018

Doors: 7:00 pm / Show: 8:00 pm

Sokol Auditorium

Omaha, NE

$27.00 - $30.00

This event is all ages

Shakey Graves
Shakey Graves
Back in December 2017, Shakey Graves proclaimed on his Twitter page, “Next album. New sound. Sell your suspenders.” The tweet was tongue-in-cheek, but Alejandro Rose-Garcia, the Austin native who’s been plying his trade as Shakey Graves since 2007, was making a dead-serious point about his latest album, Can’t Wake Up (Dualtone, out May 4). This ambitious, audacious work heralds an artistic metamorphosis for the 30-year-old veteran, whose risk-taking in painting outside the lines has been rewarded tenfold. “This record is the most I’ve ever intentionally worked on a project, musically speaking, in terms of the scope of it and how much thought went into it,” he says. “It’s a dense album; there’s a lot of information going on.”That is not a hyperbolic boast. From one moment to the next, Can’t Wake Up veers from the inevitable to the revelatory, its thirteen songs teeming with jarring musical and thematic collisions and thrillingly seamless intersections, gnarly psychological hornswoggles and ecstatic resolutions. Central to the prevailing sense of disorientation are the lead vocals, none of which is purely solo. Instead, each lead performance is shadowed by a queasy harmony or slightly out-of-sync unison part, giving the sense—especially on headphones—that these voices are emanating from inside the listener’s head. In a sense, the album is a microcosm of Rose-Garcia obsessively artistic existence and its ever-expanding horizons. —Bud Scoppa January 2018

As word of his haunting, sometime bizarre lo-fi recording style and contrastingly explosive live shows continues to spread, Shakey Graves is quickly rising from obscurity. Maybe the single most buzzed-about artist in his hometown of Austin, TX, his shows there are the stuff of legend – so much so that the Mayor of Austin gave him his own local holiday. February 9th is officially proclaimed "Shakey Graves Day."

He performs live as an astonishing one man band, stomping out dusty rhythms on a hand-made kick drum built from an old suitcase on top of feverish finger picking that brings to mind Townes Van Zandt, Leo Kottke or Michael Hurley.

Shakey Graves has a huge year ahead of him, including a nationwide tour dates and an upcoming live album release. He's also putting the finishing touches on his sophomore studio album, with a release date TBA soon.
Twin Peaks
Twin Peaks
Don't bother asking Twin Peaks about the deeper meaning of their band name. They simply thought it sounded cool, which explains why their second album Wild Onion (out August 5th on The Grand Jury) isn't as spooky or surreal as David Lynch's short-lived TV show. It's more like a modern day Nuggets, with Ty Segall, Black Lips and Thee Oh Sees curating instead of Lenny Kaye. Not literally, of course. But the spirit of those garage demigods is alive and well alongside subtle nods to everything from the Pixies and Tame Impala to the godfathers of guitar-guided pop music, the Beatles, the Rolling Stones and the Beach Boys.

If combining the influence of so many classic artists seems like a lofty goal for a group of 20 year olds, just remember that Twin Peaks' core quartet—frontman Cadien Lake James, guitarist Clay Frankel, bassist Jack Dolan and drummer Connor Brodner—has roots that reach back to elementary school. And while their friendships were forged long ago, James also learned the ins and outs of the local Chicago scene with his last project: Teenage Dream, a minimal-yet-mean duo with his older brother Hal.

"We played our first show when I was a freshman," says Cadien, "and of the three people who came out, one was Alex White of White Mystery. She loved it. Alex has taught me a lot about being business smart and taking things slow, about being grateful and expressing thanks where due, and about being a gracious musician. The generosity of all the bands in the scene out here is pretty amazing."

The only problem? Hal was asked to join the Smith Westerns, and since Cadien didn't want to go the solo route, he found the perfect outlet in Twin Peaks. Having quickly cut their debut LP, 2013's Sunken, so they could sell it on tour, the band was excited to spend more time developing Wild Onion, a record that reveals a level of maturity beyond all the amp-singeing solos, ragtag rhythms and dizzying voices of three distinct singer-songwriters. Unlike acts who let their egos get in the way, Cadien, Clay and Jack share the spotlight and play to one another's strengths as Connor keeps things moving with a steady beat.

So while it's hard to tell who's screaming what sometimes, the album's overall vibe couldn't be more cohesive, whether it's expressed through sun-kissed psych ("Mirror of Time," "Strange World"), crowd-riling choruses ("Making Breakfast," "Good Lovin'") or hooks that take just seconds to sink in ("Flavor," "I Found a New Way," "Strawberry Smoothie"). Step back for a minute and you'll also notice that everyone's facing the cold, hard realities of life head-on, whether it's relationships, the death of a family member, or getting used to the fact that three-fourths of the band (Cadien, Jack and Connor) left a school they loved (Evergreen State College) to pursue the crushed barriers, rushed stages and tireless recording sessions of Twin Peaks fulltime.

"The album deals with a lot of insecurities that arise when you're growing up," explains Cadien, "It's about adopting them and being vulnerable to let out the tunes. It ain't ideal, but it's sublime."

Or as Jack adds when asked about a song he wrote (the rise above anthem "Fade Away"), "It's about looking at life and smashing it in the face until you break your hand. I hope you play this during your most epic of battles on this world."
Venue Information:
Sokol Auditorium
2234 S. 13th St.
Omaha, NE, 68108
http://sokolomaha.com/